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The album was recorded in the duo's recently purchased Atlanta recording facility Stankonia Studios, which allowed for fewer time and recording constraints, and featured production work from Earthtone III (a production team consisting of Outkast and Mr. It was released on October 31, 2000, by LaFace Records. Stankonia is the fourth studio album by American hip hop duo OutKast. That chart position doesn’t fully speak to its cultural impact, though, as the song’s title/chorus became an early ’00s catchphrase, even providing the title for a 2005 comedy.Based off the album cover of OutKast's Stankonia 30 on the Hot 100, but reached the top 10 on Hot R&B/Hip-Hop Songs. Speaking of singles, third and final of those was “So Fresh, So Clean,” a playfully funky boast track with a staccato, sing-song chorus.
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A place where words like abstract, complicated, funky, and mind-blowing all find comfort in their normalcy… this album will have heads spinning and then asking for more.” The Billboard review clearly understands that with Stankonia, OutKast had opened up a kaleidoscopic world that was more of a journey than a statement, one that reveals itself in the detours as much as in the singles it’s an album not just of the moment, but one to let marinate and savor over a lifetime. “Time to take a trip, boys and girls - a trip to a land where funk meets hip-hop.
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4, 2000 issue, reads easier to contemporary eyes. “The message-oriented single has caught fire across the country at radio.” (The child in question, incidentally, is the son of Erykah Badu and André 3000, who would have been a toddler when “Jackson” hit the airwaves.) Very much a product of the era, parts of the review haven’t aged terribly well: the phrase “children out of wedlock” reads outdated hell, even referring to two unmarried people having a child as an “issue” to be “tackle” seems a bit quaint these days.īillboard‘s review of the album itself, which ran in the Nov. Jackson’ tackles the issue with sincerity over a synthed-out drum track,” reads the review. “Several musicians have recently addressed the concept (and complications) of having children out of wedlock… ‘Ms. Jackson” topped the Hot 100), Billboard reviewed the single, focusing on the lyrical content and social implications. 18, 2000-dated issue (after Stankonia’s release but before “Ms. Jackson” became an early ’00s radio staple, topping the Hot R&B/Hip-Hop Songs chart in December and crowning the Hot 100 for one week in February 2001. With its Brothers Johnson sample (their 1977 cover of Shuggie Otis’ “Strawberry Letter 23”), laid-back groove, touching sincerity and impish playfulness (“forever-ever?”), “Ms. Despite fizzling on the charts, “B.O.B.” was an instant success with critics and remains a fan favorite.īut “Ms. If anything, the album’s lead single “B.O.B.” - a frenetic, ominous electro-tinged track - seemed like a bellwether that Stankonia might prove too challenging for listeners: “B.O.B” missed the Hot 100 entirely and failed to detonate on Hot R&B/Hip-Hop Songs, only reaching No. Its heady mix of ’70s soul, psychedelic funk, Public Enemy-styled aural chaos, drum’n’bass, Funkadelic, Prince and even salsa is engrossing but dizzying, beguiling but befuddling. Yes, they were Southern rap stars after Aquemini, but with Stankonia, OutKast was suddenly thrust into the same pop cultural conversation that included Janet Jackson, *NSYNC and Britney Spears.įor an album that would see OutKast vastly expand its audience, Stankonia sure doesn’t sound like a pop crossover album. 12 peak of “Elevators (Me & You)” on the Hot 100, the duo’s pop culture crossover was limited. But beyond the headlines the Rosa Parks lawsuit garnered, and the No. The duo had been steadily increasing its profile since the release of its 1994 debut Southernplayalisticadillacmuzik, with follow-up LPs ATLiens (1996) and Aquemini (1998) enjoying critical acclaim and hitting No. It was hardly an overnight success story, though. Jackson.” Today, it’s regularly cited as one of the greatest albums of all time. 2 on the Billboard 200, the album remained on the chart for 46 weeks and earned OutKast two Grammys: best rap album and best rap performance by a duo or group for “Ms. Which isn’t to say the 2000 article was wrong, per se if anything, it speaks to the sea change in popular success OutKast would enjoy over the next decade, fueled in large part by the critically lauded commercial breakthrough that was their fourth album, Stankonia, a 73-minute odyssey that catapulted their careers to the next level.